Our faculty is comprised of experienced dance-educators who have immersed themselves in the art of dance. BTP teachers continue to educate themselves and grow as artists in order to maintain the highest standard of excellence in dance education. The teachers at BTP are dedicated to passing on the generations of tradition and knowledge that have made ballet the enduring and captivating art that it is. All of our staff bring professional performing and choreographic experience, as well world-class training with an emphasis on pedagogy.
Jennifer Cafarella - Director
Jennifer Cafarella started her formal ballet training with the Nina Marlowe School of Ballet and The School of Ballet Arizona and graduated from the prestigious Walnut Hill School for the Performing Arts. Her professional performance includes Ballet de Cali in Colombia, Ballet New England, Granite State Ballet, Jose Mateo’s Ballet Theatre, and Convergence Ballet. The combination of a BS in Business Administration, an MFA in Dance, Power Pilates certification, and ABT teacher certifications has empowered and educated Ms. Cafarella to develop with her own teaching methods. She has been on faculty at Scottsdale School of Ballet, Paula Carr Dance Academy, Arizona School for the Arts, Mesa Community College, and The School of Ballet Arizona and has presented her teaching methodology to various conferences across the nation.
Ms. Cafarella has also choreographed Bye Bye Birdie for Arizona School for the Arts, Carousel for Mesa Encore Theater (Awarded MET Best Choreography for a Musical) and Billy Elliot for Mesa Encore Theater. She has a passion for teaching and seeks constant education for herself and her faulty to develop dancers from the inside out.
Daniel Baudendistel - Adult Ballet
Daniel began his ballet training with Jonathan Watts, Larry Long at the Ruth Page Foundation, Roger Tully in London, and David Howard in New York. He danced with American Ballet Theatre, The Joffrey Ballet, and the Lar Lubovitch Dance Company. He has been featured with the BBC of London and appears in the documentary film "Ballet Russes." He was televised in Russia dancing with Ekaterina Maximova at the Kremlin Palace, as well as appearing with Gala Des Etoiles in Montreal. He is noted for his partnering skills and dramatic roles. He most recently danced in the noted role of "Don Quixote" in the ballet of the same name with Ballet Arizona, and in Ib Andersen's A Midsummer Night's Dream.
As a teacher he has worked with students at the ABT Summer Intensive in New York, The Joffrey Ballet, and continues to coach dancers privately around the world. He is noted for his knowledge of kinetic principles, music theory, and understanding of the classical form as it relates to the dance. He was Professor of Dance at the New School University Eugene Lang College in New York City. He takes great pride in his extensive collection of dance literature, media and memorabilia.
Lainie Seretis - Ballet
Lainie has been teaching classical Vaganova ballet for over 20 years to children and adults. She has been teaching the Vaganova syllabus for both ballet and pointe to students for years. In addition, she was the first certified Progressing Ballet Technique (PBT) teacher in Arizona and has been teaching PBT for 5 years. Recently she added the Finis Jhung method to her repertoire.
As a teacher and choreographer, she has developed ballet programs for studios and staged classical and original ballets performed annually. Some of her direction and choreographic credits include Cinderella, Coppelia, Pinocchio, Snow White, and One Enchanted Christmas. In addition, she has choreographed and staged many pieces for competitions that have both choreographic and performance awards. Many of Lainie’s students have been invited to dance at the schools of American Ballet Theater, Joffrey, Complexions, Hubbard Street Dance, and the Bolshoi Ballet. In addition her dancers have gone on to accept positions in the New York Dance Project, Steps On Broadway Conservatory, Mercyhurst dance program, University of Utah (Modern Dance), and Chapman dance program.
Emilie Sheung Chun - Primary Ballet
Emilie started teaching in 2014 at different studios including one for under-privileged students on the West Coast of Mauritius and choreographed for several end of year school shows over the years. In 2018, she then decided to pursue her dream of dancing abroad. She attended The Ailey School starting in the fall 2018 to learn diverse styles of dance other than ballet namely Horton, Graham, contemporary, jazz and Taylor. She graduated from the Scholarship program in May 2020 having trained with an amazing faculty such as Caridad Martinez, Mikhail Ilyin, Guillermo Asca, Earl Mosley and Carolyn Adams. During her time in New York, she has had the opportunity to perform for Global Harmony at The Ailey Citigroup in February 2020 and was an apprentice at Neville Dance Theatre, until she recently moved to Arizona and joined the Ballet Theatre of Phoenix family.
Julee Leathers - Creative Movement
Julee was born in Salt Lake City, Utah and moved to Arizona at the age of nine. She began her ballet training under Tamara Gladikova and danced as a member of the Junior American Folk Dancers. In Arizona, Julee trained with Mary Moe Adams, studying the Royal Academy of dance curricula. She went on to dance and study with Ballet Arizona under the directorship of Malcolm Burn and Jean Paul Comelin. Julee won first place at the Arizona Dance Guild competition at the age of 11 and left home to study with University of Utah and Ballet West at the age of 14. She has performed in classical ballets such as Coppelia and The Nutcracker as well as original works like Bruce Marks’, Abdallah and Malcolm Burn’s, A Christmas Carol.
Life after ballet has included working for the State of Arizona with the Division of Developmental Disabilities, The Greater Phoenix Chamber of Commerce and The Greater Phoenix Gay and Lesbian Chamber of Commerce. She became a certified Zumba instructor in 2008 and taught classes throughout the valley for 8 years. Julee and her husband have two kids. Their youngest, a daughter, is what lead Julee back to the ballet studio.
Tracy Thomason - Creative Movement
Tracy has been an Independent Teaching Artist since 2007, bringing dance education programs to hundreds of Arizona school children. She began with Opendance under the direction of Michele Ceballos Michot and has been teaching dance and yoga to K-6th grade students with InMotionAZ since 2012. Tracy has been inspiring the littlest of dancers as a Creative Movement Instructor at Ballet Theatre of Phoenix since 2017. She received her Yoga Alliance Certification in Kids and Family Yoga in 2018. She is co-founder and company member of Ignite Collaborative, a Phoenix-based dance performance company, since 2011. Tracy’s greatest joy as an instructor is knowing that every interaction with her students is an opportunity to nurture self-discovery and build confidence in their unique abilities.
Amy Symonds - Contemporary
Amy Symonds first began dancing at the age of 13 and discovered a true love for the art a few years later. She has received numerous scholarships and awards at conventions and competitions, including a national title, and her choreography has been recognized both regionally and nationally. Amy danced with the Youth American Ballet Company for two seasons performing both soloist and principal roles in The Nutcracker, Firebird, Giselle, and Paquita. Currently, she is training and performing around the valley with Scorpius Dance Theatre, Rogue Dance Theater, Instinct Dancecorps, and Convergence Ballet.
Chelsea Rose Neiss - Tap & Contemporary
Chelsea is a native of Phoenix, AZ. She trained at Scottsdale Community College and Cal State Fullerton earning a Bachelors in Dance. During her time in California, she danced for Disneyland Resorts as well as participated in free lance projects with Embark Dance, Fuse Dance and a dance role in the film Waiting in the Wings: Still Waiting . After graduation, Chelsea moved to the midwest where she had the opportunity to dance with Attack Theatre, Atlanta Opera, Pittsburgh Opera, and the Dayton Contemporary Dance Company. She has a passion for arts education and sharing her love of dance, and has taught at studios in AZ, CA, and OH.
Chelsea is thrilled to be in AZ where she currently dances for Epik Dance Company, Scorpius Dance Theatre, and other artists around the valley. Chelsea has had her own works showcased at Beta Dance Festival, other festivals, and choreographed for Desert Foothills Theatre’s production of Lin-Manuel Miranda’s In The Heights , Disaster the musical, and Annie Get Your Gun. Most recently she has choreographed for Southwest Shakespeare's A Midsummer Night's dream. Chelsea is most excited about working on her own dance projects, Neissmoves.
Paola Hartley - Adult Classes
Paola Hartley was born in Bonn, Germany and grew up in South Africa and Chile where her parents danced with the PACT Ballet and Ballet de Santiago. In 1993 Ms. Hartley joined Ballet de Santiago. In 1997 Ms. Hartley was promoted to the rank of soloist by Ballet de Santiago’s artistic director, Ivan Nagy after performing the role of Myrtha in Giselle. In 1998 Ms. Hartley joined Ballet Arizona rising to the rank of principal dancer. In 2013 Ms. Hartley joined The Suzanne Farrell Ballet as a soloist where she performed the role of Juliet in Paul Meijia’s Romeo and Juliet, Odette in George Balanchine’s production of Swan Lake Act II, and principal roles in Balanchine’s Episodes, Agon, Tempo di Valse, Allegro Brillante, and Pas de Dix.
In 2011 and 2012 Ms. Hartley was a guest faculty member for the Goh Ballet Academy’s Summer Intensive in Vancouver, Canada. In 2014 Ms. Hartley was a guest faculty member for the Shreveport Dance Academy’s Summer Intensive. Ms. Hartley has also taught ballet at several dance academies in Arizona including the Tempe Dance Academy, the Master Ballet Academy, Scottsdale School of Ballet, Studio R and the School of Ballet Arizona.
Aaron Gilbert - Ballet
Aaron began his training under the direction of Kelly Roth, Constance Stine and Madame Xenia Chlistova. He danced professionally with Ballet Jude, Desert Dance Theatre, and Grounding Pointe Dance Company. During his tenure with Ballet Jude he had the opportunity to perform in numerous contemporary and classical ballets and worked one year as the company's rehearsal director. He also performed in various musicals and had the opportunity to choreograph a few musicals such as, Bye Bye Birdie and Little Shop of Horrors.
After retiring from his professional dance career Aaron began teaching. He spent 13 years teaching dance at Corona del Sol High School. Additionally, he has been teaching ballet and choreographing at local dance studios and ballet schools for the past 18 years. Aaron is also the founder and Artistic Director of the AGBalletProject. His students have been accepted into training programs with the Washington School of Ballet, the Jacqueline Kennedy Onassis School, Austin, Ballet Arizona, Tokyo the Academy, Boston Ballet, Houston Ballet and many more. He is thankful to have worked and continue working with so many wonderful and passionate young dance artists both as an educator and as a choreographer.